Our rating: ****
A few have taken the rare Bright Eyes since 2007 and the album Cassadaga, which was also in the activities of their spokesmen. Conor Oberst was solo, go with the Mystic Valley Band and the Monsters of Folk. During this time, the rumor is spreading that the Bright Eyes import from Omaha, Nebraska one more album to be history. After a four year break and now it's before with The People's Keys, and almost nothing is as before. Apart from the cover with the fire image that can be closed only by a sticker on the Bright Eyes, and even apart from the core cast Conor Oberst, Mike Mogis and Nathaniel Walcott, are used by musicians from the ranks of Now It's Overhead, Autolux, Cursive and The Faint supported. With them go the Bright Eyes on a musical journey away from the familiar terrain of indie-folk with his country elements out, without leaving it altogether. What is striking in a still young songwriter Oberst - he celebrates almost simultaneously with the album release his 31st birthday - to the early "miracle child" is that he looks less at himself or on human relations and concerns, he raises his voice not so moving and falls. Negative view, one can accuse him of that he had a not so thrills and deeply. Conor is seen Postive matured and is discontinuing its youthful hardships, fears and end moods. The still exceptional songwriter has a maturing process behind it, and so it goes in the songs from The People's Keys rocking to mix electronics and keyboard sounds in the rock ("Jejune Stars") and pop pieces ("Triple Spiral" ), without that there can be talk of a sequel to Digital Ash In A Digital Urn. The lush arrangements of Cassadaga are missing, but found the "Ladder Song" a song that breaks completely from this class and clearly produced albums. To gentle piano tones Colonel sings heart rending "No one knows where the ladder goes, you're gonna lose what you love the most." When Bright Eyes goodbye actually The People's Keys, then maybe not with a big bang ... but certainly not as a deflagration
A few have taken the rare Bright Eyes since 2007 and the album Cassadaga, which was also in the activities of their spokesmen. Conor Oberst was solo, go with the Mystic Valley Band and the Monsters of Folk. During this time, the rumor is spreading that the Bright Eyes import from Omaha, Nebraska one more album to be history. After a four year break and now it's before with The People's Keys, and almost nothing is as before. Apart from the cover with the fire image that can be closed only by a sticker on the Bright Eyes, and even apart from the core cast Conor Oberst, Mike Mogis and Nathaniel Walcott, are used by musicians from the ranks of Now It's Overhead, Autolux, Cursive and The Faint supported. With them go the Bright Eyes on a musical journey away from the familiar terrain of indie-folk with his country elements out, without leaving it altogether. What is striking in a still young songwriter Oberst - he celebrates almost simultaneously with the album release his 31st birthday - to the early "miracle child" is that he looks less at himself or on human relations and concerns, he raises his voice not so moving and falls. Negative view, one can accuse him of that he had a not so thrills and deeply. Conor is seen Postive matured and is discontinuing its youthful hardships, fears and end moods. The still exceptional songwriter has a maturing process behind it, and so it goes in the songs from The People's Keys rocking to mix electronics and keyboard sounds in the rock ("Jejune Stars") and pop pieces ("Triple Spiral" ), without that there can be talk of a sequel to Digital Ash In A Digital Urn. The lush arrangements of Cassadaga are missing, but found the "Ladder Song" a song that breaks completely from this class and clearly produced albums. To gentle piano tones Colonel sings heart rending "No one knows where the ladder goes, you're gonna lose what you love the most." When Bright Eyes goodbye actually The People's Keys, then maybe not with a big bang ... but certainly not as a deflagration
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